Although it stands still, Meret Oppenheim’s “Table with Bird’s Feet” (1983) brims with kinetic energy. The work comes exactly as advertised; had it not anticipated “Beauty and the Beast” by some eight years, it could have been a remnant of the magical castle’s set, and at first glance, the viewer is thrilled that the sculpture is encased in glass, as it appears on the verge of walking off of its podium and clear out of the museum.
An avian table is just the sort of thing one might expect from Oppenheim, whose plainly titled “Object” (1936) consists of a cup, saucer and spoon lined with fur. There is something foreboding about the table, which evokes, perhaps, the footed bathtub in Joanna Cole’s popular children’s book “Bony-Legs,” but the fur tea set has even less promise as a functioning object. It might hold water, but the drinker is sure to finish her snack with a mouth full of hair.
The hairy teacup does not appear in the exhibit “Meret Oppenheim: Tender Friendships,” on view at the National Museum of Women in the Arts in Washington D.C. through September 14, but the table and a variety of other works and letters are present.
Read more of my review, “Meret Oppenheim’s Magical Tables and Teacups” in the Jewish Daily Forward.